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A full review of LANDMARKS by Warren Colman.
Considering that ANZSJA, the Australian and New Zealand Society
of Jungian Analysts, has only a couple of dozen members, it is a
remarkable feat to have produced this book containing papers by
twelve of them. This makes the book itself a landmark achievement,
a coming of age for a new Jungian society. Its most distinctive
feature is a rare sensitivity to the interaction between culture
and psyche, informed by the particular circumstances of the Australian
experience, especially the painful history of the incoming Europeans’
treatment of Australia’s indigenous peoples. These historical
and cultural circumstances have produced a deep concern with questions
of collective, cultural and personal identity.
Many papers
inhabit a liminal landscape of borders and borderline experience
– not only the borders between different cultures but also
the borders between the psyche and the physical world, ranging from
the somatic body to the ‘landmarks’ of geological landscape.
Jungian psychology proves to have much to offer in the search for
a conceptual framework through which these liminal experiences may
be understood: for example, several authors draw upon Jung’s
idea of the psychoid level where the worlds of spirit and matter
are experienced as being two aspects of the same ‘substance’
Heather Formaini
has compiled the book in a very creative way. Like the curator of
an exhibition, she has carefully arranged each paper within a structure
that reveals an overall unity in which the particular features of
the individual contributions are shown to their best advantage.
This is particularly noticeable in the two papers that have previously
been published in the Journal of Analytical Psychology (Petchkovsky
and Clark). Here, Petchcovsky’s research into the indigenous
sense of subjectivity is shown to be part of a wider project also
described in the previous chapter by Craig San Roque, while Giles
Clarks’ apparently unrelated concerns with the ‘psychoid’
level of experience in the analytical crucible takes on a new meaning
in the context of the psychoid landscape experienced and described
by San Roque.
The book is
bounded by opening and closing chapters, whose content make no reference
to Australia and yet which also turn out to be concerned with the
overall themes of boundaries and liminality which reverberate throughout
the book. Dale Dodd’s opening chapter on Buddhism and Psychoanalysis
is about the interpenetration of two very different traditions,
one ancient, one modern; one Eastern, one Western. Dodd acknowledges
the differences between them but argues that each has something
to offer the other – while Buddhism has a less developed understanding
about the nature of human (relational) attachments, psychoanalysis
has a more limited view of the possibilities for human development.
The potential for interpenetration on the basis of a respect for
difference nicely sets the tone for the chapters which follow. The
closing chapter is something of a tour de force, an analysis of
Wagner’s Tristan and Isolde as a prolonged mediation on Thanatos
rather than Eros. Here, then, the boundary is that between life
and death. Sally Kester brings her expertise as a music lecturer
into a fruitful ‘conjiunctio’ with experience as a Jungian
analyst to produce an impressively strong and authoritative reappraisal
of this most European of cultural icons.
For this reviewer,
the highlight of the book is Craig San Roque’s ‘Coming
to Terms with the Country’, Through his description of a series
of remarkable incidents in his initial encounters with Aboriginal
thought and locations, San Roque explores the central value and
function of the Tjukurpa (‘dreaming’) in indigenous
psychic and cultural life. He goes further than merely taking on
the influences of a different culture as an ‘add-on’
to his own. He has attempted to immerse himself in the Indigenous
culture, to remake his own conditioning and put his own world-view
in the melting pot. He succeeds in conveying the radical otherness
of the spiritual, psychological and cultural assumptions implicit
in Tjukurpa and the yawning cultural gap between Indigenous culture
and Western culture – it’s as difficult for them to
operate with our cultural assumptions as for us to operate with
theirs. Instead of assuming that ours are the ‘norm’
and that these people should adapt themselves to the therapeutic
modalities of the West, San Roque has undertaken the journey of
a psychic explorer in order to meet them in their world and to translate
his analytic skills into a context where they might be meaningful
and useful to the painfully obvious wounds inflicted on them by
the incoming culture.
One of the many
riches this chapter offers is an insight into the specific difficulties
faced by the Indigenous peoples in dealing with alcohol. San Roque’s
‘guide’, Japaljarri explains that the Aboriginal people
do not have the Tjukurpa for alcohol and so they need to learn the
whitefella's dreaming, in order to deal with it. As San Roque puts
it, it is ‘as though there was no “place” for
thinking about alcohol and petrol sniffing properly; no location
for thought within the Aboriginal culture’. Although his analytic
skill in the use of imagery and symbolic thinking offers him (and
the reader) a way in to the language and myth of Indigenous thinking,
he also conveys the enormity of the task involved – one which,
he says, few professional ‘health’ people seem prepared
to undertake.
This theme is
taken up again in the following chapter by San Roque’s colleague,
Leon Petchkovsky whose research into ‘stream of consciousness
and ownership of thought’ bears out the richness, complexity
and sophistication of the indigenous peoples’ mental life.
He shows that their conception of subjectivity is broader than that
of Europeans, extending to non-human entities, including inanimate
elements, and draws links between their strong conviction that ‘thoughts
come from Tjukurpa’ and Jung’s view that psychic life
‘happens’ to the ego rather than being created by it.
He then quotes San Roque’s comments on this conclusion which
throw further light on the problem of ‘alcohol work’
in Indigenous culture: in Western culture, the emphasis is on ‘personal
responsibility’ but for the Aboriginal peoples, such ‘ego’
responsibility is problematic and potentially dangerous since it
involves setting oneself at a distance from Tjukurpa. For the Aboriginal
people, responsibility is collective – the problem is that
alcohol undermines this responsibility by loosening the connection
to Tjukurpa. Emphasising personal responsibility in the treatment
of alcohol problems thus only serves to compound the fundamental
problem which is the dislocation from the locus of responsibility
in Tjukurpa.
Peter Fullerton
is well aware that his encounter with Tjukurpa is that of a (respectful)
outsider. He describes with wry, self-depreciating humour, his ‘Jungian
anticipation’ of learning about Tjukurpa myths and stories
on a visit to Uluru (Ayers Rock). Instead, he found a new understanding
of Tjukurpa as a ‘living relation’ to place through
an intimate involvement with the practical realities of its geology
and zoology. He uses this insight as an imaginative inspiration
for his own ‘dreaming’, seeing the relation between
the wholeness of Uluru and the fragmented boulders of its neighbour
Kata Tjuta (once part of the same rock formation) as an image of
the relation between the self and its deintegrates. Applying these
ideas to his clinical work, he suggests that the idea of a single
impervious self is a defensive illusion (‘anti-story’)
which needs to give way to the possibility of many stories and many
selves.
Fullerton, Clark
and Brown all explore issues of psychosomatic disturbance. Giles
Clark’s chapter on ‘the animating body’ takes
us into a clinical equivalent of the psychoid world of beta elements
in which San Roque found himself in Central Australia. His experience
of a borderline patient whose dream was an uncanny echo his own
initial pre-analytic dream is reminiscent of San Roque’s ‘counter-transference’
grief at an indigenous ‘site’ – both take us into
the non-differentiated world of the unus mundus, (a theme also explored
by Anne Noonan’s chapter on ‘Psyche and Environment’).
Clark suggests that ‘psychoid substance’ arises out
of the most primary processes of ‘energetic relating’.
Anne Brown’s chapter, ‘Volcanic Irruptions’, although
making no specific reference to the Australian landscape, also starts,
like Fullerton’s, with geology – in this case, the geology
of volcanoes - before moving into an exploration of the volcano-image
in myth, and the ‘volcanic’ irruptions of emotion and
body in infancy and adolescence. In this way she offers a multi-faceted,
holistic image of ‘an indivisible mind/body state of being’
which creates disturbance but also offers the possibility of reintegration
and transformation’.
Anne Noonan
diagnoses anxiety of those who fear to enter the volcano of transformation:
the ‘dread of loss of identity and abandonment’ in the
clinging by many Anglo-Celts to a past of excessive nationalism,
Britain and the Queen. Pam D’Rozario places this in the wider
(but neglected) context of the psychological difficulties inherent
in migration, thus returning to the book’s central concern
with the experience of being an Australian. Using the Gnostic text
of ‘The Hymn of the Pearl’ to illustrate nine stages
of migration, she successfully combines the archetypal perspectives
of the spiritual journey with the psychological perspective of actual
migration in the outer world. She points out that the disorientation
and loss of identity associated with the experience of being the
stranger can be denied and defended against by projecting the image
of the Stranger onto the indigenous peoples. They are then the recipients
of fear and distrust as if they are the strangers and are forced
to carry the alienation and humiliation of the migratory experience.
Instead of the migrant moving on from this towards a renewed identity
that reunites the old and the new, there is then, as Noonan suggested,
a regressive idealisation of the country left behind.
Inevitably,
in a collection of this kind, some chapters are less successful
than others, although to some extent this may also be a matter of
personal preference. Formaini’s own chapter on ‘The
Father’s Body’ and Glenda Cloughley’s chapter
on ‘Jocasta’s Lament’ seemed to go over rather
the well-worn ground of the evils of patriarchy while Patrick Burnett’s
chapter on ‘Dream Interpretation in a Group Setting’
seemed somewhat out of place in this collection. Nevertheless, it
may well be that Formaini’s concern with the impact of the
absent father has more ‘bite’ in the context of colonisation
where women and child-rearing are left on the periphery while the
men go out to ‘conquer Nature’ (and whatever indigenous
people happen to be there).
As a whole, the book is an impressive tribute to the vitality of
ANZSJA and a ‘landmark’ display of what Jungian psychology
has to offer those who seek a deeper understanding of the Australian
experience as well as what the Australian experience has to offer
the world of Jungian psychology.
Warren
Colman
Society of Analytical Psychology
* Warren Colman is a Professional Member of the Society of Analytical
Psychology (London), and a Full Member of the Society of Couple
Psychoanalytic Psychotherapists (London). He has published numerous
articles, writing on topics which range from the intricacies of
marital psychotherapy, to issues associated with sexuality and gender
identity, to exploring the complex mysteries of the self and the
imagination. He is a regular lecturer in the United Kingdom, and
is a trainer and supervisor for psychotherapists in the U.K., Sweden,
Poland and Russia. Warren works in private practice in St Albans,
just north of London.
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CONTENTS
Preamble
David Russell
Foreword
Andrew Samuels
Buddhism
and Psychoanalysis
Dale Dodd
Psyche
and Environment
Anne Noonan
Coming
to Terms with the Country
Craig San Roque
'Stream
of Consciousness' and 'Ownership
of Thought' in Indigenous Peoples
Leon Petchkovsky
Stories
in the Making
Peter Fullerton The
Animating Body
Giles Clark
Volcanic
Irruptions
Anne Brown
Some
Ideas about the Father's Body
Heather Formaini
Jocasta's
Lament
Glenda Cloughley
Hymn
of the Pearl
Pamela D'Rozario
Dream
Interpretation
in an Informal Group Setting
Patrick Burnett
Thanatos
and Eros in Wagner's
Tristan and Isolde,
Sally Kester
About
the Authors
Index
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